Art is the time factory, Not required progress

Sarv-e Azad
Jewels have never been mere ornamental objects for me, and I consider them to be carriers of history and time, just like a part of the body. This is how jewelry design for me is a way of thinking about all dimensions of human presence, and trying to find creative ideas in this regard; seeking for a form of desirable life.
……………………………………….
In this design, based on the position of the Iranian garden in the history and society of Iran, I have considered their structure, and their formation around the boiling springs of underground water for the design.
A bubbling spring at chest height, whose waterways reach the garden and the palace inside it, and our body is present permanently in the middle of this flow of the relationship between nature and civilization.

Material: Topaz + Emerald + brilliant
Method: hand drawing

Khusraw at Shirin’s Palace, painting from a manuscript of Nizami’s Khamsa, last quarter of the 15th century, ink, colors and gold on paper.
middle of this flow of the relationship between nature and civilization.