The players also run there, move without the ball;
These fight for life
they play with their lives.
……………………………………….
How can we notice the evil or show the evils that we feel its presence every moment when there is no trace of it? Not because it is hidden, but on the contrary, it is more obvious and is present on the whole surface of our life, whether we want to notice its inappropriateness or show it to others: cool, exciting, legitimate, legal, simple, beautiful, joyful, acceptable.
What, in the individual dimension, the person either does not notice, or if he does, under the banner of customs and common sense of the time, he interprets it as an individual behavior based on work and professional principles.
And in the social dimension, if the society realizes in what state it is evil, it cannot introduce it to others as evil and in comparison with its aggressive forms: and this is its banality. What Hannah Arendt said would be a moment of despair.
Not only the actors in the middle of the field, who are the arms of evil, the entire mechanism that gives legitimacy to such a mechanism and filed, the media and the fan community, to what extent do we understand the violence of this scene?
The images on the balls are the images of a number of people murdered by Regime in the last 2 months (From more than 400 people so far), those murdered in previous years, and political prisoners.
These are the balls that were used in one of the demonstrations of Iranians abroad, in the city of The Hague, at the same time as the start of the World Cup. The 2022 World Cup in Qatar, which after the reports of labor and human crises in the process of building stadiums, and then the discriminatory laws in the past for sexual minorities and some social freedoms for spectators, was seen by the regime as an opportunity in the current situation in Iran to depoliticize the society and divert the public opinion’s focus of the world from the issue of Iran and the issue of woman-life-freedom.